{"id":19029,"date":"2020-06-10T11:06:17","date_gmt":"2020-06-10T09:06:17","guid":{"rendered":"https:\/\/poblenouurbandistrict.com\/?p=19029"},"modified":"2020-06-10T11:13:16","modified_gmt":"2020-06-10T09:13:16","slug":"entrevista-con-artista-paraguayo-sebastian-boesmi","status":"publish","type":"post","link":"https:\/\/poblenouurbandistrict.com\/ca\/entrevista-con-artista-paraguayo-sebastian-boesmi\/","title":{"rendered":"Sebasti\u00e1n Boesmi, art que interpel.la"},"content":{"rendered":"

S’acosta la nova edici\u00f3 del WAC<\/a> i les ganes de veure els artistes en acci\u00f3. Fins llavors seguim escalfant motors entrevistant artistes que van participar en pr\u00e8vies edicions de festival. Aquesta setmana hem tingut la gran oportunitat de conversar amb Sebasti\u00e1n Boesmi<\/strong><\/a>, artista paraguai\u00e0 afincat actualment a Madrid amb una dilatada carrera art\u00edstica.<\/p>\n

Poblenou Urban District: Hola Sebasti\u00e1n!, \u00bfen quina edici\u00f3 del WAC vas participar?, com va ser la teva experi\u00e8ncia?<\/strong><\/p>\n

Sebasti\u00e1n: Vaig participar en l’edici\u00f3 de l’any 2018<\/strong> i la meva experi\u00e8ncia va ser molt positiva. Casualment l’espai que em va tocar era a prop d’un pis on vaig viure una temporada al Poblenou i aquests carrers que van conformar l’escenari urb\u00e0 del WAC eren part de la meva quotidianitat.<\/p>\n

El poder alterar el paisatge per mitj\u00e0 del pict\u00f2ric, que en aquest moment s’encarnava en una s\u00e8rie de propostes en les vidrieres d’una manera m\u00e9s enll\u00e0 de la pr\u00e0ctica individual, va ser molt enriquidor.<\/p>\n

Poder parlar en col\u00b7lectiu des de les nostres imatges, cada un\/a amb els seus diferents discursos i est\u00e8tiques, va ser memorable.<\/h1>\n

P: Com van ser els teus comen\u00e7aments en el m\u00f3n de l’art?<\/strong><\/p>\n

S: Vaig comen\u00e7ar al jard\u00ed<\/strong> de casa meva, el meu taller<\/strong> hi era entre els arbres improvisant amb el que tenia i \u00e9s aqu\u00ed on em posava a pintar i dibuixar. Recordo el 2003 haver rebut un reconeixement d’arts visuals i la periodista que va venir a fer-me una nota per aquell succ\u00e9s em va dir ‘portam al teu taller’ i la vaig portar a aquest arbre al jard\u00ed de casa meva per aquell temps a Asunci\u00f3n, Paraguai. \u00c9s aqu\u00ed on vaig cursar la carrera de Llicenciat en Arts Visuals.<\/p>\n

Em vaig traslladar a Par\u00eds el 2010<\/strong> realitzant aquest any la meva primera exposici\u00f3 individual<\/strong> a la Galerie Hebert Art Contemporain de la capital francesa. Aquesta exposici\u00f3 es va convertir en la primera de diverses exposicions a Europa i Am\u00e8rica, d’experi\u00e8ncies en resid\u00e8ncies art\u00edstiques i tallers internacionals: Cit\u00ea International des Arts, en Paris (2010), El Atunero Barcelona (2012 a 2016), Marma Art Projects en Berl\u00edn (2016), August House en Johannesburg (2017), The Art Students League of New York (2007 y 2017), Bonte Zwaan en Amsterdam (2017), Atelier Miami (2019) i actualment en Taller Bonus en Madrid, on recentment vaig cursar un m\u00e0ster en Investigaci\u00f3 en Art Contemporani i Creaci\u00f3 a la Universitat Complutense de Madrid (2019-2020).<\/p>\n

\"entrevista<\/p>\n

Tamb\u00e9 he realitzat algunes exposicions col\u00b7lectives i 17 exposicions individuals<\/strong> fins a la data, citant en ambd\u00f3s cas a l’Institut Valenci\u00e0 d’Art Modern I.V.A.M. (Val\u00e8ncia), la galeria Espai.B de Barcelona, \u200b\u200bla Fira Internacional d’Art Contemporani de Barcelona SWAB, El Centre Cultural Borges de Buenos Aires, entre d’altres.<\/p>\n

P: Una gran traject\u00f2ria … Sebasti\u00e1n explica’ns una mica sobre en qu\u00e8 consisteix la teva obra.<\/strong><\/p>\n

S: En la meva obra gaireb\u00e9 sempre tot est\u00e0 en moviment o a punt de moure<\/strong>, m’interessen les relacions del micro m\u00f3n i del macro univers, aix\u00ed com la idea de camuflatge<\/strong>.<\/p>\n

En aquest moment estic orientat a la pr\u00e0ctica mateixa com investigaci\u00f3 art\u00edstica<\/strong> i la meva metodologia comen\u00e7a amb l’elecci\u00f3 dels materials i la t\u00e8cnica. Considero molt important la comprensi\u00f3 del material que vaig a utilitzar (en especial quan realitzo objectes) recon\u00e8ixer els seus valors i entendre que em diuen. Aproximar-se a ells de la mateixa manera que m’acosto a una imatge, per mitj\u00e0 de la compenetraci\u00f3 emocional i dels aspectes conceptuals i relacionals.<\/p>\n

Les obres han de interpel\u00b7lar i, m\u00e9s enll\u00e0 d’utilitzar simbologies, utilitzar a la met\u00e0fora com a element narratiu ja que entenc a la pr\u00e0ctica contempor\u00e0nia com una extensa productora de preguntes, no de respostes.<\/h1>\n

P: Quina diries que \u00e9s la teva font d’inspiraci\u00f3?<\/strong><\/p>\n

S: Les meves obres estan inspirades en les meves experi\u00e8ncies i observacions quotidianes i per la meva imaginaci\u00f3. S\u00f3n autobiogr\u00e0fiques. De vegades confessionals, de vegades irreverents i de vegades vulnerables.<\/p>\n

P: Has estat creant obra durant aquests mesos de confinament? En qu\u00e8 consisteix?<\/strong><\/p>\n

S: S\u00ed, vaig estar pintant alguns llen\u00e7os de formats intermedis. ‘A punt per anar a l’supermercat’ \u00e9s un acr\u00edlic sobre llen\u00e7 que parla de situacions quotidianes que van ser afectades amb la implementaci\u00f3 de el protocol sanitari davant la crisi de l’COVID-19. L’escena d\u00f3na lloc al moment anterior a anar al supermercat cobert amb una bufanda o mascareta, ulleres de nedar, guants, desinfectants en garrafes com motxilles i una personificaci\u00f3 de virus mateix com a subjecte.<\/p>\n

Tamb\u00e9 durant el confinament vaig estar realitzant una s\u00e8rie d’imatges<\/strong> en les que utilitzo les mans per parlar del pas del temps i de l’esdevenir<\/strong>, conte els dies de a cinc per que aix\u00ed vaig aprendre a comptar, amb els dits de les mans, pensant que algunes vegades una l\u00ednia recta (personificada en la incisi\u00f3 del fil en la meva pell) s’imposa al mig del natural esdevenir.<\/p>\n

\"\"‘Conte els dies’. Fotografia digital. Brodat sobre la m\u00e0 de Sebasti\u00e1n Boesmi. Madrid 2020<\/h6>\n

 <\/p>\n

Ara mateix estic creant una s\u00e8rie d’objectes trobats a la natura, a la ciutat i descarregats com a models 3D<\/strong> per despr\u00e9s ser impresos. Aquests tres estadis m’ofereixen un seguit de materials com bresques d’abelles morts, arrels d’arbres trobades, roba, cartells, models 3D de closques de tortuga impresos, pedres que intervinc amb llums de ne\u00f3, sensors i en alguns cas text. Parlar de les tensions entre tecnologia i natura<\/strong>, moltes vegades hostils i moltes vegades integrades entre si, \u00e9s important per a mi<\/strong>.<\/p>\n

Moltes gr\u00e0cies Sebastian per obrir-nos les teves portes al teu m\u00f3n art\u00edstic. Podeu seguir tota la seva obra i els seus projectes en el seu compte d’Instagram<\/a> (@boesmi_art), i a la seva web.<\/a><\/p>","protected":false},"excerpt":{"rendered":"

S’acosta la nova edici\u00f3 del WAC i les ganes de veure els artistes en acci\u00f3. Fins llavors seguim escalfant motors… M\u00e9s \u2192<\/a><\/p>\n","protected":false},"author":5,"featured_media":19032,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3342],"tags":[],"class_list":["post-19029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art"],"acf":[],"yoast_head":"\nEntrevista con artista paraguayo Sebasti\u00e1n Boesmi<\/title>\n<meta name=\"description\" content=\"Entrevista con artista paraguayo Sebasti\u00e1n Boesmi, artista paraguayo afincado actualmente en Madrid con una dilatada carrera art\u00edstica.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/poblenouurbandistrict.com\/ca\/entrevista-con-artista-paraguayo-sebastian-boesmi\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" 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