LCI Barcelona opens its doors to future design professionals
Next Saturday, April 18th, LCI Barcelona will host a new Open Day for those looking to train in the fields… More →
Escenaris de Llum, organized by the Fundació Carulla, was created as a meeting space between culture and social impact. This year, the initiative grows and transforms into a three-day festival, on April 17, 18, and 19, bringing together seven artistic proposals that engage with the major challenges of our time. Theatre, music, spoken word, and contemporary creation intertwine in a program that invites us to pause, reflect, and imagine collectively. Each piece is a seed of change, an invitation to look at the world with greater awareness and to build shared horizons. Because when art engages with reality, it can spark new possibilities.
FRIDAY 17
Eight characters lost in the city, each with their own suitcase. Travellers or immigrants? The piece becomes a space for dialogue and a mirror of our behaviour towards the other, the foreigner, the different. Will we build the future with Kamchàtka or reject them?
SATURDAY 18
Through its relationship with the urban environment, the piece opens a reflection on memory, displacement, and identity. Perhaps land is not only where we are born, but also where the body dares to take root again.
Camins In Visibles arises from a reflection on life cycles and their connection to acrobatic balance: when we are born, we are held and carefully guided, and in old age this need reappears. The proposal aims to recover this sensitivity and sense of belonging, bringing into dialogue the memory of the past, the experience of the present, and a look toward the future.
Somewhere between ritual, installation, and participatory action, they invite participants to enter a coffin, breathe inside it, listen to their own pulse, and go through a “small symbolic death.” Before that, they release their last breath, and the audience responds to the questions: what prevents them from feeling alive? Why is life worth living?
A site-specific performance created for the Fundació Carulla that connects with Poblenou’s past, historically linked to the colonial trade of cocoa and sugar. The piece invokes the figure of Mami Sugar, an archetype embodying the empire’s “sweet economies” and the violence that sustained them. Through gesture, sound, and ritual repetition, it proposes an encounter with the colonial wound that still inhabits the urban landscape, opening a space for listening, memory, and possible symbolic repair.
SUNDAY 19
A chair seems to be just that: a chair. But when it changes place, it becomes a door, a window, companionship, or an abyss. This performance has been created collectively with the residents of Poblenou. It is built around a conversation about loneliness as a shifting space: it can be emptiness or refuge, silence or company.
How does a social uprising begin? It starts with opposition, dissonance, dissatisfaction, frustration. A murmur that grows into anger, into fury. It begins as an individual experience and becomes a collective one. Mil primaveres is a folk-rooted dance piece with a contemporary staging, designed and developed as a street performance.
You can find all the information at this link.
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